The First movement: The Forbidden City, performed by Jiang Kemei Jinghu

107 views · Organized by 南丘 on 2022-12-16
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The First movement: The Forbidden City, performed by Jiang Kemei Jinghu, is from the folk music album Jing Feng.

Full of poetic aura and passion, Jiang Kemi experiences and deals with the meaning of music with her successful and unique mode, skilled technique, delicate and varied, and good use of her own way. She performs the three-movement Huqin Concerto "Jing Wind" and many other works written recently for this album. Music critics say that Jiang Kemi can hear ear oil when playing Huqin.

The Huqin Concerto "Beijing Wind" is based on the rich operas, folk music and folk music of Beijing. It uses three kinds of Huqin, namely Jinghu, Erhu and Banhu, respectively to depict the magnificent halls, beautiful scenery and distinctive folk customs of the ancient capital of Beijing. It shows the charm, style, customs and style of the ancient capital. It eulogizes the ancient capital of China with its long history, beautiful scenery and simple folk customs.

Movement One: The Forbidden City

Using Peking Opera music to describe the imperial style and powerful style of the imperial palace. The evolution of history, human vicissitudes of life, the wind and rain, magnificent, handed down countless songs and tears, emotional stories.

Involving the artist

Jiang Kemei, born in Shenyang, Liaoning Province, is a huqin player. He is currently the director and master tutor of the folk music department of Harbin Conservatory of Music.
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Involving musical instruments

Also known as Huqin. It is a traditional Chinese stringed instrument. At the end of the 18th century, with the formation of traditional Chinese opera Peking Opera, it was restructured on the basis of the stringed instrument Huqin. It has a history of more than 200 years and is the main accompaniment instrument for traditional Chinese opera Peking Opera.

Involving news

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Organized by 象牙山首富 on 2022-04-26
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Jinghu performance plays a role in setting off the plot, cooperating with the performance of the characters in the play, and expressing the thoughts and feelings of the characters in the play. It is also a re-creation on the basis of the original work. Obviously, studying the stylistic evolution and development of different historical periods is necessary for us to better grasp and develop Jinghu playing skills.
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