The traditional Qin opera "Playing the Throne" from the album "Chinese Music Map to hear Shaanxi Qin Opera classic verses"

Beat Luan Jia

Opera Genre: Traditional opera of Qin Opera Nationality: Han Nationality: Shaanxi Province

Singing: Hu Linhuan

Banhu: Zhang Lei

Erhu: Liu Guoning

Dulcimer: Zhu Zhenping

Flute: Xiao Xiong

Cello: Ren Jie

Board Drum: Li Xiaochao

Cymbals, cymbals: Jiao Fuyin

Small gong, hook Gong, Clapper: Guo Weixuan, Wang Hengyi

The gist of the song:

The eight lift flat on the ground behind the street, (turn the collapse board) there is a Bao zheng car to look at.

Dragon Feng-chariot embroidered colorful golden bright, imperial chariot team points around very brilliant.

The first team opened the way gongs Jingle loud, two team ghost head knife from the shoulder.

Three teams executioner cheers to go, four teams disc dragon stick has a short and long.

Five teams cactus ten fingers up, six teams upside down stirrup gold wrapped in silver set.

Seven team apricot yellow flag Xiamangwanzhang, eight team pearl umbrella glory.

Nine team banana fan autumn leaf appearance, ten team gold card is Zhaoyang.

Whether it is in worship of the temple incense, Bao Zheng knelt on the street to see the empress.

The Qin opera "Playing the Imperial Carriage" is adapted from the story of the Chinese classical novel "Three Heroes and Five Meanings". The "imperial carriage" in the title refers to the frame of the Tianzi. The play tells the story of the concubine Malone by the relief of the opportunity to secretly seize the coin grain, the empress of the West Palace was surprised to hear that Bao Zheng was ordered to inquire about this matter, using the imperial Palace to obstruct the case of Bao Zheng, and finally Bao Zheng saw through and broke the story of the emperor. The verse chosen in this song shows that Bao Zheng, after recognizing the imperial carriage on the royal street, did not know that the person in the car was impersonated by the Empress of the horse, and prepared to see the scene of the Empress of the official palace. The opera artist who played Bao Zheng used a special singing style called "black cavity" to create a clean and upright image of Bao Qingtian, a famous minister of the first generation who was honored by the people.