Zhang Xiuyan Jinghu plays "Drunken Concubine" in Siping tune
473 views · Organized by 雨童 on 2022-07-01
Zhang Xiuyan's performance of "Drunken Concubine" by Jinghu is from the album "Music Code: Jinghu - Zhang Xiuyan".
The Peking Opera "Drunken Concubine" is one of the masterpieces of Peking Opera master Mei Lanfang. Among them, the opening Siping tone "Island Ice Wheel" is a well-known classic aria of Peking Opera.
Involving the artist
Zhang Xiuyan, a Jinghu performer of the Tianjin Youth Peking Opera Troupe, often performs in the repertoires "The Great Quest II", "Mu Guiying in Command", "Nine Heroes of Qingcheng", "Golden Water Bridge", "Yao Qi", "Jade Hall Spring", " The Legend of Taizhen", "Jin Yunu", "Xin An Yi" and so on.
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Involving musical instruments
Also known as Huqin. It is a traditional Chinese stringed instrument. At the end of the 18th century, with the formation of traditional Chinese opera Peking Opera, it was restructured on the basis of the stringed instrument Huqin. It has a history of more than 200 years and is the main accompaniment instrument for traditional Chinese opera Peking Opera.
Involving news
Organized by 辞惘 on 2022-10-19
Recently, there are many folk troupes in the West Coast New Area busy performing for the public welfare, and the Happy Town Art Center Troupe is one of them. The average age of the troupe is about 70 years old. Maoqiang Opera is the main performance, and Chen Jinguang, the head of the troupe, plays Jinghu.
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Organized by 日记里的汤姆 on 2022-06-22
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Organized by 象牙山首富 on 2022-05-06
Jinghu's vibrato, ornamental notes, and reserved fingers are also important Jinghu techniques for beginners, and even the basic Dafa. The reserved fingering is the basis of other fingerings. The decorative tone, also known as the accommodating tone, is a common fingering for stringed instruments.
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Organized by 象牙山首富 on 2022-04-26
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Organized by 袁城 on 2022-04-25
Jinghu performance plays a role in setting off the plot, cooperating with the performance of the characters in the play, and expressing the thoughts and feelings of the characters in the play. It is also a re-creation on the basis of the original work. Obviously, studying the stylistic evolution and development of different historical periods is necessary for us to better grasp and develop Jinghu playing skills.
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